Single beats of bass but with clicking on snare and bass to the right and cymbal hits. Here comes one among the wellbeloved stonecutters and plans with decision and science and sees the solid and beautiful forms of the future where there are now no solid forms. I am not shy, I am the future, I thrive on misspelling, and like a watercolor painting I embarrass even the wall, and seem to refer ambidextrously to a New England farmhouse and dental work, and yet I am not at all who you think, nor am I who I'd like to be, yet. I tremble lest the door be locked or open, for the door is an ununderstandable joy. Any of it revolves to involve all of it, so its final easy brutality is semantic, or, I guess so. Though I am cursive and made to be misread and heavy or light as rain. It's hard, paying attention to my own head, to tell the snot from the thought.
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